Ask Lemmy
A Fediverse community for open-ended, thought provoking questions
Please don't post about US Politics. If you need to do this, try [email protected]
Rules: (interactive)
1) Be nice and; have fun
Doxxing, trolling, sealioning, racism, and toxicity are not welcomed in AskLemmy. Remember what your mother said: if you can't say something nice, don't say anything at all. In addition, the site-wide Lemmy.world terms of service also apply here. Please familiarize yourself with them
2) All posts must end with a '?'
This is sort of like Jeopardy. Please phrase all post titles in the form of a proper question ending with ?
3) No spam
Please do not flood the community with nonsense. Actual suspected spammers will be banned on site. No astroturfing.
4) NSFW is okay, within reason
Just remember to tag posts with either a content warning or a [NSFW] tag. Overtly sexual posts are not allowed, please direct them to either [email protected] or [email protected].
NSFW comments should be restricted to posts tagged [NSFW].
5) This is not a support community.
It is not a place for 'how do I?', type questions.
If you have any questions regarding the site itself or would like to report a community, please direct them to Lemmy.world Support or email [email protected]. For other questions check our partnered communities list, or use the search function.
Reminder: The terms of service apply here too.
Partnered Communities:
Logo design credit goes to: tubbadu
view the rest of the comments
[off topic?]
Frank Zappa siad something like this; in the 1960's a bunch of music execs who liked Frank Sinatra and Louis Armstrong had to deal with the new wave coming in. They decided to throw money at every band they could find and as a result we got music ranging from The Mama's and The Papas to Iron Butterfly and beyond.
By the 1970s the next wave of record execs had realized that Motown acts all looked and sounded the same, but they made a lot of money. One Motown was fantastic, but dozens of them meant that everything was going to start looking and sounding the same.
Similar thing with the movies. Lots of wild experimental movies like Easy Rider and The Conversation got made in the 1970s, but when Star Wars came in the studios found their goldmine.
But even then, there were several gold mines found in the 1990's, funded in part due to the dual revenue streams of theater releases and VHS/DVD.
You've got studios today like A24 going with the scatter shot way of making movies, but a lot of the larger studios got very risk adverse.
Just saw Matt Damon doing the hot wings challenge. He made a point about DVDs. He's been producing his own stuff for decades. Back in the 1990s the DVD release meant that you'd get a second payday and the possibility of a movie finding an audience after the theatrical run. Today it's make-or-break the first weekend at the box office.