Ask Lemmy
A Fediverse community for open-ended, thought provoking questions
Please don't post about US Politics. If you need to do this, try [email protected]
Rules: (interactive)
1) Be nice and; have fun
Doxxing, trolling, sealioning, racism, and toxicity are not welcomed in AskLemmy. Remember what your mother said: if you can't say something nice, don't say anything at all. In addition, the site-wide Lemmy.world terms of service also apply here. Please familiarize yourself with them
2) All posts must end with a '?'
This is sort of like Jeopardy. Please phrase all post titles in the form of a proper question ending with ?
3) No spam
Please do not flood the community with nonsense. Actual suspected spammers will be banned on site. No astroturfing.
4) NSFW is okay, within reason
Just remember to tag posts with either a content warning or a [NSFW] tag. Overtly sexual posts are not allowed, please direct them to either [email protected] or [email protected].
NSFW comments should be restricted to posts tagged [NSFW].
5) This is not a support community.
It is not a place for 'how do I?', type questions.
If you have any questions regarding the site itself or would like to report a community, please direct them to Lemmy.world Support or email [email protected]. For other questions check our partnered communities list, or use the search function.
Reminder: The terms of service apply here too.
Partnered Communities:
Logo design credit goes to: tubbadu
view the rest of the comments
Billy Corgan.
The music of Smashing Pumpkins got me through some very dark times as a teenager, but finding out he hates me because I'm gay snapped that personal connection. I'm usually able to separate the art from the artist and still enjoy good stuff made by bad people, but I'm not able to enjoy them anymore. The connection was too personal and the betrayal was too great.
Smashing Pumpkins in the 90s were so good, but yeah fuck Billy Corgan.
Billy attempted to sell an Alesis SR-16 that was used in his band for $30k. It's a $100 drum machine. He was selling it himself. No charity or anything; he just tried to hyper-inflate a very common drum machine that is still produced because he thought he added that value to it by owning it. That was pretty weird.
I mean, in the sense of music history it is worth more than any other random one you can find on the street. But maybe somewhere around $500 - $1000 if it was signed by the band.