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Thanks that was a great analysis. Once you started in I did recall about half those details, but mostly I guess it needs to go on my reread pile since I've forgotten so much.
As a tangentially related side - one of the first emails I ever sent when I first started to use email in about 1996 was to Anne McCaffrey.
I was in the "everything you can imagine is on the internet" phase of just looking up random things, and somehow I found her email address.
I sent her a short note about how much I'd loved her books, and she sent me a brief, nice note back.
That email is long lost to the twists and turns of life - I didn't even understand the concept of keeping backups back then (Edit - that's not true, it would be more accurate to say I just never bothered) - but it was a cool little interaction that I always remember fondly. ๐
I find, when I re-read, one thing that stays with me is how vibrant and beautiful her narration is. I think the books are still worth reading, but that modern audiences who've been participating in more modern discussions around storytelling would recoil at some of the bits we sort of just accepted as being "normal", as standards for what is "normal" have shifted. The spirit of the books always was forward-thinking, even if she got some stuff wrong.
When Anne McCaffrey did a signing in Chicago when she won her Grand Master award, I had a battered copy of Damia (from her Talents series), and she told me Afra Lyon was her own 2nd favorite character, behind Robinton.
I was on "The New Kitchen Table", which is where her online fandom ended up in the late 90s for a while, but her fandom was HUGE and had already been around for nigh 20 years with Weyrfest and all at Dragon*Con so aside from the one in-person comment (after I waited hours in a line that twined around the bookstore--the only time since that I've seen a bookstore event line that long was for a Harry Potter release), I was very much on the periphery of the fandom vs. those who'd been in it for 20 years already.