this post was submitted on 23 Jun 2024
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tl;dr - fuck "reality" tv

In the reality TV production process, after the casting of villains and the baiting for villainous behaviour, comes the editing.

It's in the post-production suite that a villain edit can truly come to life.

...

The editor says there are a few techniques to achieve these characterisations. The simplest one is being selective in what gets included.

...

The second technique editors use is amplification โ€” finding a moment amongst what the editor calls the "boring crap" that can be boosted into a storyline.

In the show, it's spun as a major conflict.

...

And then, the drama is further enhanced with a technique called "frankenbiting".

Like Frankenstein creating his monster, editors will mix together unrelated elements from the footage to make their own beast.

...

When the show finally goes to air, the final phase of a villain edit begins: controlling the narrative.

Now, program makers try to ensure that no narratives that contradict the edit make it into the media.

"They would remind me in a very threatening way before every single media interview that I had signed a [non-disclosure agreement]," Olivia says.

This becomes a problem for Olivia, because when the show goes to air, the backlash is swift.

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[โ€“] [email protected] 1 points 4 months ago

This actually reminds me of a similar case that happened quite a few years ago here in Germany; the editors of "Heirat auf den ersten Blick" (literally the same concept as Married at first Sight) clearly made stuff up and edited the footage they had to frame a woman participating as an annoying c-word that's too lazy to do anything while portraying her "husband" as passionate and polite, which he wasn't (at least according to an interview one journalist did with her).

Stuff like that was VERY common in German reality television of the early 2000s-2010s.