One of the comments reads : Actually, we will probably never figure out, was it man or woman. but I thought this comment of the professor was an interesting eye opener. https://mastodonapp.uk/@MarkHoltom/112070436760917344
this post was submitted on 10 Mar 2024
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I just finished TLA. I'd never seen it, and now I have, and it's gone, and my life feels empty. Why would you bring this up? Why would you hurt me so?
Korra is good, but it doesn't hit the same, and 70 years is not enough to fully industrialize a society.
Russia, China
Also, I imagine industry in general becomes significantly easier when you have people that can summon construction projects out of the ground or weld with their bare hands.
Also, society isn't industrialised. One city state within society is industrialised.
Also, the fire nation was already undergoing industrialisation at the time of ATLA.
Seriously, the Fire Nation had mass produced internal combustion engines in ATLA. They put them in their mass produced tanks. Not to mention the fleet of ships with smokestacks indicating they probably had either diesel or steam powered ships. The Earth Kingdom and Water Tribes are both still in the process of industrializing, but the Fire Nation was already pretty much there, and the United Republic is primarily a Fire Nation breakaway state.
More than likely steam. Don’t need fuel to burn when when you can just make fire with magic. And we know people get employed for their bending ability since Mako got a job lightning-bending at the power plant.
It's not magic, it's fire bending.
Look up the Meiji Restoration in Japan. They went from a feudal, near-medieval society to an industrial society between 1870 and 1920, by the time they were done they are participating in both world wars.
You actually don't have to suspend your disbelief so hard here, it's the most believable part of the story of people who can bend elements with tai chi
Even if you take a Western lens to it and say ATLA takes place around 1850 that still puts Korra in the 1920s (and the air nation falling around 1750) and the only thing that really would be innacurate for comparing their timeline to ours is the lack of trains connecting the cities, at least in the earth kingdom where theres a lot of land to be crossed.
I suppose if you assume that Ba Sing Sa is self-sufficient with it's large farms in the outermost ring then it makes sense from a tactical perspective to have fewer points of entry to the city. You'd also have to assume there's either significant brain-drain from the villages into the city or that the villages keep to themselves so much that they have no need for better transportation between them
I'm not finding any good sources right now but some of the earliest trains were actually a singular railcar on wooden rails pushed by 1-2 people in much the same manner that the trains in Ba Sing Sa do, just sans Earth bending of course
I over thought this a lot and the only conclusion I could come to is the earth nation should be covered in railway lines. Extremely shortly after some of the first viable self-propelled steam locomotives were invented the first railwaya were built, and within 50 years entire countries were covered in railway lines connecting the smallest towns both that existed before the railroads and many built by the railroads.
The existence of bending would only accelerate this development since right of way would be rapidly built through earth bending, and locomotives could simply have a closed system of water to be bent to produce propulsion. An earth bender could also spin a stone flywheel attached to gears to produce propulsion too. Or combine these with steam propulsion to overcome the limitations of early steam engines and the poorer iron and steel alloys of the time
TLOK does depict a railway network having been set up through the Earth Kingdom after the war. The Earth Kingdom as a whole is still very far behind in industrialization, though.
I think that most of the criticisms directed at the industrialization and mecha stuff is mostly just a byproduct of the worldbuilding in korra broadly not being very good. Not even necessarily bad a lot of the time, but just not as good as avatar.
Bending styles became more homogenized and choreography is worse, everything became a kind of 1920's hong kong steampunk, and lots of the city shots, there's basically nobody walking around. You have things like tasers and huge mechas, but huge mechas and tasers without explanations for how they're getting such dense energy storage, or circumventing some real world problems with those technologies in a 1920's context. With various forms of bending, you can kind of get around the energy density problem a little bit, since it's just straight up magic that seems like it violates conservation of energy, but with korra's stuff, that doesn't apply a lot of the time.
Lots of little things like that kinda give the impression that the world is made of paper mache, or that a lot of things are just kind of done because they're a cool idea, rather than because they're both a cool idea and make a little bit of sense. I'm not really opposed to the idea of a car in the setting, but it strikes me as quite a bit easier to power a car if you have a mobile human power plant that can produce large amounts of energy. I think it's also kind of a shame to disconnect the tech from this for a different reason, as well, and that's because it means that the bending is kind of, less broadly useful and applicable. It takes up less space in the setting, it has less utility, it's not as cool, and the show doesn't really end up giving many good replacements for it as time goes on.
That's really nitpicking, though. I think the broader point is just that there wasn't much done in the series to really show the continuity between ATLA and korra (do not mistake this for fanservice), and they really feel like different shows. Feels kind of like about a quarter of the reason why people didn't like the last jedi, but that's kind of a whole other deal. Anyways, that being the case, korra's more of a stand alone kind of deal, and I think it kind of falls flat on it's own, because it just isn't very good and I don't like it as much as the OG.
You also get a lot of people that will blame all the problems on the show that it kept getting renewed season after season without any real knowledge of the future viability of the show, but I think I would still just blame the writing, in that respect. You can make a good, contiguous series of media based only on good improv, only on good setup and payoff, external to the idea that the show has multiple locked-in seasons. I don't think it matters too much, if you're good enough. Main example there is probably just venture bros, though.