BitSound

joined 1 year ago
[–] [email protected] 3 points 5 days ago (2 children)

I like this reaction video for the video:

https://www.youtube.com/watch?v=qWUUrdQfjn8

[–] [email protected] 8 points 2 weeks ago (1 children)

Not sure if this is what you're referencing, but there's a famous quantum computer researcher named Scott Aaronson who has this at the top of his blog:

If you take nothing else from this blog: quantum computers won't solve hard problems instantly by just trying all solutions in parallel.

His blog is good, talks about a lot of quantum computing stuff at an accessible level

[–] [email protected] 24 points 2 weeks ago

Cross-posted to [email protected], which is probably the closest active community we've got

[–] [email protected] 13 points 2 weeks ago* (last edited 2 weeks ago)

Ha, that reminds me of Donald Knuth offering 0x$1.00 to anyone that finds a mistake in TAOCP, like this guy:

https://nickdrozd.github.io/2019/05/17/knuth-check.html

[–] [email protected] 8 points 2 weeks ago (3 children)

Does anyone here actually use awk for more than trivial operations? If I ever have to have to consider writing anything substantial with bash/awk/sed/etc, I just start writing a Python script. No hate to the classic tools, but Python is just really nice.

245
submitted 2 weeks ago* (last edited 2 weeks ago) by [email protected] to c/[email protected]
 

If you haven't read about it before, the term comes from the band Van Halen, who demanded that there were no brown M&M's backstage. People thought it was just a crazy rock star thing, but David Lee Roth later explained that it had a purpose:

Van Halen was the first band to take huge productions into tertiary, third-level markets. We’d pull up with nine 18-wheeler trucks, full of gear, where the standard was three trucks, max. And there were many, many technical errors—whether it was the girders couldn’t support the weight, or the flooring would sink in, or the doors weren’t big enough to move the gear through.

… So just as a little test, in the technical aspect of the rider, it would say, “Article 148: There will be 15 amperage voltage sockets at 20-foot spaces, evenly, providing 19 amperes … ” This kind of thing. And article number 126, in the middle of nowhere, was, “There will be no brown M&M’s in the backstage area, upon pain of forfeiture of the show, with full compensation.”

So, when I would walk backstage, if I saw a brown M&M in that bowl … well, line-check the entire production. Guaranteed you’re going to arrive at a technical error. They didn’t read the contract. Guaranteed you’d run into a problem. Sometimes it would threaten to just destroy the whole show. Something like, literally, life-threatening.

My Brown M&M atm is AI-generated comments like this (first comment is referencing something like df = ... that they removed from the code, but left the comment, second comment is super useless):

# Assuming df is your DataFrame

# Show the plot
plt.show()

That probably means whoever I got the code from just copy/pasted whatever the LLM spit out, and didn't actually think about the code at all.

What is a small detail that you pay attention to because it means there's bigger issues to watch out for?

[–] [email protected] 4 points 3 weeks ago* (last edited 3 weeks ago)

Sorry, mixed up the videos. It's actually this one, from 2014:

https://www.destroyallsoftware.com/talks/the-birth-and-death-of-javascript

Edited link above

[–] [email protected] 5 points 3 weeks ago* (last edited 3 weeks ago) (2 children)
[–] [email protected] 4 points 3 weeks ago

Definitely not. There's a whole genre of music that's created for riding the coattails of popular songs. They wait for a song title by artists like Taylor Swift to be announced and then release their own songs with the same title. Sometimes they're actually good, like this dude:

https://genius.com/artists/Only-fire

[–] [email protected] 15 points 3 weeks ago (1 children)

I've been wondering how much of that is back to school. I have the sense that Lemmy has a lot of younger users. I can't judge though as I've been inactive for long stretches due to life. I've been trying to contribute more now

[–] [email protected] 2 points 3 weeks ago

The latter, but I also don't really mind paywalls in the form of "get early access" like SMBC comics or "get exclusive special content" like a lot of bands do.

You can just straight paywall with those too, but you don't have too. A band I like crowdfunded a music video and you can watch it free on youtube, but if you didn't crowdfund it you missed out on perks that go all the way up to being in the music video

[–] [email protected] 24 points 4 weeks ago

Probably my favorite set of stories is by qntm, who writes lots of short fiction you can check out at his site. He wrote There Is No Antimemetics Division, which I think is best described by the intro he wrote for it:

An antimeme is an idea with self-censoring properties; an idea which, by its intrinsic nature, discourages or prevents people from spreading it.

Antimemes are real. Think of any piece of information which you wouldn't share with anybody, like passwords, taboos and dirty secrets. Or any piece of information which would be difficult to share even if you tried: complex equations, very boring passages of text, large blocks of random numbers, and dreams…

But anomalous antimemes are another matter entirely. How do you contain something you can't record or remember? How do you fight a war against an enemy with effortless, perfect camouflage, when you can never even know that you're at war?

Welcome to the Antimemetics Division.

No, this is not your first day.

There's a lot of other good entries too. They generally take the form of a wiki entry at https://scp-wiki.wikidot.com/, as a classified file describing some anomalous thing or event. They have a shared canon but only loosely, individual stories can conflict with one another. Here's a couple good ones:

I'll post over in [email protected] too, to see what other people recommend for getting into it

[–] [email protected] 11 points 4 weeks ago (1 children)

The trilogy would've been much better if either director had done all 3. Either J.J. Abrams with a fun nostalgic return to form, or Rian Johnson with a fresh new take. The whiplash from them fighting with each other over the direction of the plot just ended up being a huge mess. I'm pretty surprised they weren't just told what the plot was going to be, kind of seems like a screwup by whoever handled that.

 

I like the new singer, she's got a very similar style to Nehl Aëlin. Anyone know why they got a new singer though?

 

Guide to the song from the youtube comments:

0:00 the random intro

1:32 earrape

1:54 I THIS FRACTAL ILLUSION

2:54 lead over catchy riff

3:33 the not so catchy but more meshuggah riff

4:31 THIS IS AN ANOMALY

4:56 "Tight as frog butthole" (c) Ben Eller

5:39 Chaos cranked up to 11

6:18 RE-DESINTEGRATION

7:07 string skipping... kind of

7:46 unsettling clean theme 1

8:39 brr da brr da da brr da brr da da

10:15 from chaos to chaos to chaos

10:32 brainmelting 4/4 riff

11:31 waaa weee wooo trem lead

12:00 I - THE NIHILIST

12:39 contacting aliens like Fredrik

13:31 MIRACLES INVERTED

14:06 0s longer than grindcore songs

14:42 unsettling clean theme 2

15:59 winding up the djenerator

16:51 djenerator at full power

17:45 CONCEPTION DERIVED FROM MISCONCEPTIONS

18:20 EMERGENCE OF DOOM COMPLETE

18:35 IIIIIIII

20:19 eternal 0

Also a good interview where they talk about the track:

Did you guys ever do I live?

No, no. That whole track was written and recorded just on random. Me and Fredrik would just jam on something, and when we found something that was kind of cool, he would walk into the control room. I would just record drums and it wasn’t a set pattern, I would just kind of stray away from the pattern, but just keep going in that vibe. Then we had to chart everything and go bar by bar to record the guitars afterwards, because it’s all just random.

In doing it that way it’s also really, really hard to learn it. Even for us. I know parts of it, just because I’ve listened to it a lot, but it would be an awesome challenge to try to pull that off live, and it would take a shitload of rehearsing to get it down.

17
Peter Watts, "The Things" (clarkesworldmagazine.com)
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