Daystrom Institute
Welcome to Daystrom Institute!
Serious, in-depth discussion about Star Trek from both in-universe and real world perspectives.
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Rules
1. Explain your reasoning
All threads and comments submitted to the Daystrom Institute must contain an explanation of the reasoning put forth.
2. No whinging, jokes, memes, and other shallow content.
This entire community has a “serious tag” on it. Shitposts are encouraged in Risa.
3. Be diplomatic.
Participate in a courteous, objective, and open-minded fashion. Be nice to other posters and the people who make Star Trek. Disagree respectfully and don’t gatekeep.
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5. Tag spoilers.
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Threads must discuss Star Trek. Comments must discuss the topic raised in the original post.
Episode Guides
The /r/DaystromInstitute wiki held a number of popular Star Trek watch guides. We have rehosted them here:
- Kraetos’ guide to Star Trek (the original series)
- Algernon_Asimov’s guide to Star Trek: The Animated Series
- Algernon_Asimov’s guide to Star Trek: The Next Generation
- Algernon_Asimov’s guide to Star Trek: Deep Space Nine
- Darth_Rasputin32898’s guide to Star Trek: Deep Space Nine
- OpticalData’s guide to Star Trek: Voyager
- petrus4’s guide to Star Trek: Voyager
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Huh. It occurs to me that the writers were treating the passage of time as though they were frame rates of film/ video.
I'm not sure there's anything to this but the concept of matter and energy in our observable reality "vibrating" at a certain frequency might have something to do with the episode. Putting this in film terms we would say that the universe runs at 120fps (or more) while the Enterprise, crew, et al, reside/ experience reality at 60fps, and the orifice aliens experience it on the alternating frames also at 60fps. We're seeing two different narratives taking place on alternating frames.
This doesn't explain why the same planet is still there on the alternating frames.
@commander_la_freak @emeralddawn45
That's a new way to explain it, “frame rate”.
Most #scifi that touches on #ParallelWorlds and #TimeTravel use some sort of vibration or frequency. Even in the 90s Japanese #anime entitled #SerialExperimentsLain, it used the Schumann resonance to explain its plot. And of course in #Marvel and #DC they do the same.
But, yeah, I'm not sure either about it. Is there a way to find out which author/writer first thought of this idea? Or, was it based on a real-life theory that scifi authors picked-up independently? Or, was it Star Trek that created this approach?
(And again, that frame rate approach is great. ^_^)