I actually love the Dadaist movement, although this piece is not really my favorite. Truth be told, I don’t love the art of the Dadaist movement, so much as I love what it represented.

This piece is named “The treachery of images” but most people refer to it by ‘This is not a pipe’ because, well, that’s what’s written on it.
It’s basically an art shitpost. Of course it’s not a pipe. It’s a painting of a pipe.

But the Dadaist movement is basically all art shitposting. Dada is an utterance that roughly means “yeah, whatever” and came about as a form of protest art against the bourgeoisie, and their overly rigid definition of art after WW1. In that time it was common for the rich of various nations to embrace specific forms of art as an expression of nationalism.

Dadaists were like “fuck that, art is whatever the hell the artist says it is.” Because art for just the rich sucks, as does art that’s only in one format, and nationalism, too.

My favorite story is that Marcel Duchamp submitted “Fountain” a urinal that had been turned sideways and signed “R. Mutt” to an art show that ostensibly showed everything submitted to it, but the organizers hid his piece, and it’s rumored that they threw it away after taking a photo of it.
The treatment of the submission and mystery surrounding it brought about tremendous attention, furthering the Dadaist movement.

I never really understood why his stuff was considered art

Someone will be saying this looking at internet memes in a museum in 50 years, while everyone else will be acclaiming a portray of loss.

Dadaism inspired Warhol. The Dadaist movement was shitposting and asking questions about what was art and about perspective. It also inspired surrealism which did similar things, often more pleasingly.

Warhol though was basically the capital friendly version of Dadaism (which was largely socialist like surrealism). I don’t like his style of pop art, though I do like the more old school comic book style pop art. I find it to be a lot less interesting than surrealism for example (which was always my favorite art movement), but it’s an aesthetic that I associate with my grandma so I can’t hate it even if I don’t find it nearly as deep or interesting as other forms of art. And as for what he was trying to say, that a lot of our commercial and mass produced world is artistically interesting in its own way. Which yeah, far more friendly to capitalism than a signed urinal. I don’t think he deserved to be shot for his aesthetic failings, but someone did.