Animal Well came out this year and is 33MB. Great game, highly recommend.
teawrecks
joined 1 year ago
I think the jury is still out on whether Framework can be profitable. And by that definition, literally asking someone what product you want them to make is data collection.
I'm not a fan of a for-profit organisation having unpaid workers, but I get it if they want to see an otherwise unprofitable, yet passionate demographic. If they can compensate the person in other ways like was mentioned above (merch, contact with decision makers, possibly info on future products) then there is some exchange happening there and maybe that's worth it to the right person.
I only dual booted for years. I learned very quickly how to live boot and run Boot Repair.
I got a "Ploopy" a while back. Open source, QMK powered mouse. Terrible name, but it's been working like a charm. All components are 3D printed or can be purchased cheaply. No good wireless options right now, though. The power efficient protocols needed are all proprietary afaik.
What company would support this, though? It seems like all the big tech giants, from meta to musk, would all be against the govt having carte blanche to investigate them.
A branch of the American healthcare system.
Because the core of FOSS is from each according to their ability [to write software], to each according to their need [to control their devices]. Which isn't a libertarian's favorite mantra.
I appreciate what he says he's going for, which is that it's a story about the characters, not the sci-fi/magic. If you've watched Tales from the Loop, I think it does a much better job at this. You always want to know more about the tech, but you're never lead to believe that that's what the story is about.
I would liken good story writing to a magic trick. The writer has to create a bunch of threads, and weave them together in such a way that are interesting, but just opaque enough that you can't predict how they all tie together in the end. And once you reach the end, like a magic trick, your mind is blown at how well everything fits together.
But Lost and Leftovers feel like they're keeping a bunch of threads going, only to drop 90% of them on the floor, tie two together, and say "it was never about those other threads". And I feel like I'm still standing there like, "um...aren't you going to guess my card?"
Lindelof thinks that's his gimmick, but to me just feels like he's just decided he's not going to do the actual difficult part of story writing.
Ahh, that is interesting. I guess they have a winner of each episode that could be the 5th, but the season winner is always one of the 4?
Glad to hear the Portugal version is good. The US version was pretty lame in comparison to the UK version. The thing I like about Greg's judging in TM is how he rewards out of the box thinking, and takes ownership of being the Taskmaster. But it felt like the US TM punished it. "Yeah, the task didn't prohibit you from doing that, and yeah you did it the fastest, but that wasn't really in the spirit of the task, so I can't give you points for it." It was like the most boring game of Cards Against Humanity you can imagine. Apples to Apples with your grandma.
I watched Lost when it aired and Leftovers during the pandemic. I won't post spoilers, but I think Lindelof has a unique brand of writing intentionally disappointing stories that's not for me. Like most people, my partner and i didn't like how Lost ended, but the internet would have me believe that we are the only people in the world who didn't like Leftovers.
I like how the ride starts, I just don't think he's even trying to write an ending that satisfies all the questions he takes the time to ask.
It's weird to me that people on Lemmy are asking "why not just use instead?"