sushibowl

According to wikipedia, 15-24 age group is about 13% of the population. 18-29 is a slightly older and wider range, so could be 14%. Then obviously only half of those are men, so we end up at 7%. That's totally plausible

It's just saying that 7% of the total people they surveyed fall into the group "men 18-29". Without knowing how many people were actually polled and how they were selected we cannot say anything about the statistical validity of the sample.

I think people exaggerate how bad QWERTY is. Studies have not consistently found an advantage for one keyboard layout over another, and some studies even show that typists can reach equivalent speeds even with randomised layouts. This suggests that experience and practice with a particular layout is far more important to typing speed than the particular placement of letters. Which is a good argument for keeping qwerty around.

(reducing the risk of mechanical typewriters jamming by not having two hammers next to each other be pressed at the same time),

This story is quite common but there is little evidence that it's actually true. The designer of qwerty actually made a late adjustment to move R next to E (swapping it with period), even though ER is the second most common letter combination in English.

It sorta depends on the ingredients you're working with, some tomatoes are sweeter or more acidic than others. Where I live tomatoes tend to be somewhat watery and lack a bit of intensity of flavour. If I'm making sauce at home I'll taste a bit and add some sugar and/or red wine vinegar to balance out the flavour.

How the mighty have fallen eh? Prince of Persia was a big franchise once upon a time. Like, the Sands of time trilogy was AAA tier.

The big reason I'm hearing in this thread is "Denuvo and I don't trust Ubisoft." However I doubt that is the reason the mainstream audience skipped over this game. Ubisoft franchises generally sell like hotcakes, and for the most part only nerds care about DRM (like the type of person who knows what a lemmy is).

It's hard to say why it didn't sell more units. Certainly it seems their internal expectations were sky high:

similarly to the biggest Metroidvania’s in the market, with millions of units sold in a relatively short space of time

The game is good, but metroidvania is not exactly an easy market; there's some juggernauts in that genre, and they came out with a completely new and unproven concept. Apparently it sold a million units or so still, to me that's not unimpressive.

On PC, it initially launched only on Epic afaik, which certainly doesn't help. And by the time they brought it to steam it was much too late.

What I don't really get is, why disband the team? They've proven they can produce quality stuff. Just hand them some other promising projects? I suppose that's too much of a risk for a publisher like Ubisoft.

You are right, originally they did. The answer is catholicism happened:

A religious purist, Jón made it his mission to uproot all remnants of paganism. This included changing the names of the days of the week. Thus Óðinsdagr, "day of Odin", became miðvikudagr, "mid-week day" and the days of Týr and Thor became the prosaic "third day" and "fifth day".

in fact:

It's addressed in the article. The brave CEO has stated they will continue to support manifest v2 as long as the needed code remains in Chromium. He made no promises what happens when it is removed, though ("I don't write checks of unknown amount and sign them")

The electoral college takes it from a 45-55 to a 50-50. But what on God's green earth gets him that 45% of the votes?

there are some people for whom that taste is very much worth it.

You are correct, but to be clear, it's not so much that tasting this scotch is a life changing experience; it's more that to these people, 27k is just chump change.

GOG is getting a nice little pr moment off of this but you're getting basically the same license, no matter where you buy the game.

The root of evil in digital distribution is the DMCA anti circumvention clause: it is illegal to circumvent a DRM protection to gain access to some copyrighted work, even if you in actuality possess a license to the work. This law gives big platforms far too much power to control how you interact with their products.

It should be legal to modify a work to allow it to be played offline, to make copies for archival purposes, to fix the work to run on newer platforms, etc. As long as you have a license to the work you should be allowed to take steps to ensure your rightful access to it.

By the way, the root beyond roots of evil in digital distribution is the insane length of copyrights themselves. Why are patents 20 years, but copyright extends to 120+? The answer is pure greed.