A big cat by Banksy appeared briefly, -stretching in the morning sun, on a bare advertising hoarding on Edgware Road in Cricklewood, north-west London, on Saturday. A few hours later it had gone, removed by contractors who feared it would be ripped down.
The anonymous artist known as Banksy, who confirmed the image was his at lunchtime on Saturday, also promised a little more summer fun to come.
A seventh image may shortly materialise in another surprising location, the Observer has learned. London residents should then keep their eyes peeled, a spokesperson suggested, for a few days longer.
For a week now, the streets of the capital have been populated by a string of unusual animal sightings, courtesy of Banksy, including pelicans, a goat and a trio of monkeys.
The artist’s vision is simple: the latest street art has been designed to cheer up the public during a period when the news headlines have been bleak, and light has often been harder to spot than shade.
Banksy’s hope, it is understood, is that the uplifting works cheer people with a moment of unexpected amusement, as well as to gently underline the human capacity for creative play, rather than for destruction and negativity.
Some recent theorising about the deeper significance of each new image has been way too involved, Banksy’s support organisation, Pest Control Office, has indicated.
