this post was submitted on 25 Dec 2023
393 points (98.8% liked)
Asklemmy
43907 readers
1151 users here now
A loosely moderated place to ask open-ended questions
Search asklemmy ๐
If your post meets the following criteria, it's welcome here!
- Open-ended question
- Not offensive: at this point, we do not have the bandwidth to moderate overtly political discussions. Assume best intent and be excellent to each other.
- Not regarding using or support for Lemmy: context, see the list of support communities and tools for finding communities below
- Not ad nauseam inducing: please make sure it is a question that would be new to most members
- An actual topic of discussion
Looking for support?
Looking for a community?
- Lemmyverse: community search
- sub.rehab: maps old subreddits to fediverse options, marks official as such
- [email protected]: a community for finding communities
~Icon~ ~by~ ~@Double_[email protected]~
founded 5 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
AKAI S-1100 sampler. It is still in mint conditition, released in 1990. It was a studio standard in those days. I don't use it that much these days, but the time stretch on that machine is amazing. For Jungle and Drum & Bass it's an essential piece of hardware imo. The Prodigy for instance had two of them 1100's in the studio and on tour if irc.
They had that sound still, the later models lost the magic. I had to split the outs of two S1000s and an S1100 across a large format desk. The way you have to assign parts to the outs is so confusing, using three made my head spin. Ah the good old days!