this post was submitted on 12 Nov 2023
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The worst part of Marvel movies is how they expect you to remember everything from every other Marvel movie and TV show going back to Iron Man in 2008. I gave up after a while. I can't keep all of that in my memory and I should be able to skip the ones that are less interesting to me and not get confused in a movie that isn't a sequel to those.
Ya know, I'm actually okay with that. Up to endgame it wasn't really all that much. You had Ironman x3, GoG x2, Strange x1, Thor x3, Spiderman x1 (x2 if you want to watch the one right after endgame), Captain America x3, Avengers x3, Ant-Man x2, and Black Panther, all of which set you up for endgame. Thats... a grand total of 20 movies, plus the spiderman right after endgame.
Is that a lot? Sure, 40-50 hours. But let one company have a cool, big, tied together place in movies. I liked my invincible comic read. One book, straight through from beginning to end. I also liked when I read through the Marvel Ultimate comics, with about four or five of the serials that I was reading interweaving. I can't think of any other setting that was tied together like that in movies. The closest you'd get would be the television types, with a few hundred episodes.
I'll agree that the tv show styles were too much. I personally couldn't even watch the first trial of those, the agents of shield, right? That first episode was just such terrible writing. I definitely don't want to take that 40-50 hours (over 11 years, too, so that helps) and multiply by exponential scales.
My memory can't handle the intimate details from 20 movies. That's the problem. They make references to things in movies that happened a decade ago and expect people to remember them. So sure, tying them all together can be fun- if you can do it without expecting people to get the constant references. Honestly, I spend half the time in Marvel movies wondering what the fuck they're talking about lately.
Here’s a mnemonic technique that I have found works: Nothing about Marvel movies is worth remembering.
You’re watching the dramatic equivalent of that retouched Ecce Homo painting, a mass media product constructed by Hollywood on top of the palimpsest of the creative output of young Jewish men trying to come to grips with feelings of powerlessness in the aftermath of the Holocaust. Nothing much of the original remains, and it’s not worth looking at, beyond remarking at its absurdity.